{"version":"1.0","provider_name":"Bristol Radical History Group","provider_url":"https:\/\/www.brh.org.uk\/site","title":"The Renaissance in the Upside-Down \"Archives\" World - Bristol Radical History Group","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"qKQGhNd6Iv\"><a href=\"https:\/\/www.brh.org.uk\/site\/events\/the-renaissance-in-the-upside-down-archives-world\/\">The Renaissance in the Upside-Down &#8220;Archives&#8221; World<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.brh.org.uk\/site\/events\/the-renaissance-in-the-upside-down-archives-world\/embed\/#?secret=qKQGhNd6Iv\" width=\"600\" height=\"338\" title=\"&#8220;The Renaissance in the Upside-Down &#8220;Archives&#8221; World&#8221; &#8212; Bristol Radical History Group\" data-secret=\"qKQGhNd6Iv\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.brh.org.uk\/site\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.brh.org.uk\/site\/wp-content\/uploads\/2026\/02\/426709792_7377957492281729_6329037746016649120_n.jpg","thumbnail_width":960,"thumbnail_height":834,"description":"The war on Gaza has unfolded in real time across social media, where civilians have become primary producers of historical record. Yet these platforms operate through opaque systems of moderation, algorithmic filtering, and AI governance that shape what survives and what disappears. Archivist and Librarian at the Fighting Erasure Project in the Japhet Library at [&hellip;]"}